[Fix] Support for UVI Electro Suite Demo Version
[Fix] Fix issue with Progress bar for session reload which fixes related crash when reloading session. Progress bar currently disabled
[Fix] Other minor fixes
Explore new dimensions of sounds with Electro Suite : 5 powerful instruments designed for dance producers – DrumShaper, DirtyMONO, CarminePoly, SweepMachine and MissionControl.
Try DrumShaper and MissionControl demos and experience the power yourself!
The instruments of Electro Suite come packed with nearly 4.5 GB of sample material carefully recorded from over 2 decades of choice equipment at 24 bit / 96 kHz and then professionally mastered. Giving you a huge palette of sounds ready to go straight away.
UES DrumShaper
A unique and robust drum designer, DrumShaper gives you absolute control over the core percussion sounds of dance; bass drum, snare, claps and hi-hats. Start with a wide range of samples and refine and shape them with advanced analog modeled filters and controls (an entire page for each sound) intuitively arranged to provide maximum efficiency and flexibility. (more…)
Digital Synsations includes over 500 presets expertly programmed on a fully restored Yamaha SY77, Korg M1, Roland D50 and Ensoniq VFX‚ used by many of the greats including Depeche Mode, The Cure, Pet Shop Boys, Vangelis, Brian Eno, Toto, 808 State, Jean Michael Jarre and more.
If you’re looking for a new take on the 90′s sound or just some new classic synth inspiration then look no further!
*End-User License Agreement : UVI allows you to use any sounds from UVI libraries (even in its original state) within a musical or sonic composition with no problem. You can also use the sounds in a composite of sounds BUT you aren’t allowed to use the sounds as single elements in a competitive product.
This week, take your music production experience to the next level with exquisite virtual instruments brought to you by UVI and the renowned IRCAM Acoustic Research Center in Paris.
Extraordinary libraries including high quality instruments, expertly recorded with the finest engineers and equipment available, combined with the powerful UVI Engine, IRCAM Prepared Piano and IRCAM Solo Instruments offer you an experience like no other.
Truly the most advanced, flexible and comprehensive prepared piano instrument ever made with more than 12,000 samples and 45 preparation techniques. IRCAM Prepared Piano was recorded on the fabulous Yamaha C7 Grand Piano with multiple mic positions at the IRCAM Paris.
Spectacular instrument. Spectacular sound.
Explore the timbre variety of over 40 different preparation styles. Utilize screws, erasers, coins, clothespins, sticks and more. Excite the strings with a mallet, plectrum, bow or even an EBow. Mix and tune your sound by layering up to two different preparations per note with individual level and pitch controls. If you’re a musician or sound designer who likes to explore the cutting edge of avant garde, IRCAM Prepared Piano offers an experience like no other. (more…)
The GD-6 Acoustic Guitar, based on a Guild D-40 custom edition electro-acoustic guitar, is a highly advanced instrument that unleashes the unparalleled power of the UVI Engine. It was recorded with a pair of microphones and using the built in pickup. (more…)
We are glad to introduce a brand-new massive library inspired by four 90s classic keyboards – the Yamaha SY77, the Korg M1, the Roland D50 and the Ensoniq VFX :
In the late 80′s and early 90′s the synthesizer landscape began to change. A new breed of keyboards began appearing in shops, records and on stage; matte black behemoths eschewing the familiar knob arrays for uniform clusters of discrete buttons and glowing green LCD screens. They signaled more than a shift in interaction with our musical counterparts‚ they ushered in the era of the digital synth.
The possibilities with a few of these classics was more than we could bear and became the inspiration for our new project, Digital Synsations. The massive library includes over 500 patches expertly programmed on a fully restored Yamaha SY77, Korg M1, Roland D50 and Ensoniq VFX‚ used by many of the greats including Depeche Mode, The Cure, Pet Shop Boys, Vangelis, Brian Eno, Toto, 808 State, Jean Michael Jarre and more.
We deeply multi-sampled these custom patches using top-shelf equipment and edited them to perfection before sending them off for professional mastering. These sonics became the foundation for our new hybrid instrument and combined with the UVI Engine give you the true character of these classic synths with all of the peculiarities and programming by products intact.
We at UVI are very pleased to welcome aboard Cinesamples, whose the goal is to create niche libraries with the highest quality. Cinesamples’ instruments have been used across the globe and have been featured in countless blockbuster film, television, trailer and video game releases.
Cinesamples’ latest release Randy’s Celeste, leveraging the advanced UVI Engine, is now out. This is the first instrument in their Artists Series, with Randy Kerber.
Randy Kerber is a composer, orchestrator and keyboard player, who has had a prolific career in the world of cinema. The recognizable celeste theme in “Harry Potter” composed by John Williams was played by Randy Kerber who developed a unique sound for the celeste that has been featured not only in “Harry Potter I, II, and III” but also “Minority Report”, “Catch Me If You Can”, “The Adventures of Tintin”, and “Warhorse”.
[New] Faster loading UI scripts
[Fix] Fix issue with UVI Vintage Legends soundbank
[Fix] Fix stuck note when enabling arp in scripted instruments while some keys are pressed
In 1983, Roland introduced one of the first affordable analog synths, the JX-3P. The JX-3P signaled a shift away from control dense synths like the JUNO and JUPITER series for a less intimidating, more entry-level aesthetic aimed at players who wanted the Roland sound without being distracted by a slew of controls.
That said the JX-3P was in no way technically inferior, offering many of the same components as its more expensive siblings‚ it even boasted dual DCO’s per-voice compared to a single in the JUNO series making it somewhat of a sleeper powerhouse.