Tines Anthology | The soul of Electric Pianos

We are happy to release Tines Anthology, the ultimate UVI collection featuring eight fabulous Electric Pianos, deeply multi-sampled and wonderfully scripted. From 1965 to 2007, dive into the complete legacy of the most well known Electric Pianos brand!


SPECIAL! Introductory price : $149 instead of $199 • • • • • • • • Buy DVD ► here | Download ► here


8 fabulous Electric Pianos


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Electric Piano models


The eight Electric Piano models include:


Two of the very first manufactured Mk I models : built in 1974 and 1978.




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The Mk II : introduced in 1981, one of the most loved Electric Pianos.


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The Mk III : manufactured in 1982, a very rare and quite broken model.


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The Mk V : born in 1984, a stunning and pretty rare model.


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The Mk 7 : newly introduced in 2007.


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Two Piano Bass : created in 1965 and 1970, these were heavily used by The Doors.







As for all UVI products, sounds quality and musicality are at their best. A radical chain of recording gear and sampling techniques were used to obtain the most homogenized playing sensation (voicing, tuning, etc.). Every sound was captured at 24-bits / 96kHz for a crystal clear sound quality, then converted into 16-bits / 44.1kHz with the best algorithm for better efficiency.
In addition, several dedicated FX will help you shape your perfect sounds: speaker simulation, drive, chorus, phaser, spring reverb, tremolo, autopan and much more.



Compatible with all sequencers

Thanks to the free UVI Workstation 2.0.5, Tines Anthology can work:

• as a stand-alone instrument, compatible with Mac & PC

• as a VST, AudioUnit, RTAS and MAS plug-in. iLok required.


Thanks to MachFive 3 – make the most of all editing features included!





Available now


 All our efforts result in eight expressive and very unique instruments, reflecting the soul of Electric Pianos from the 70′s to today.




Special coupons


Special coupons available for Retro Keyboards, The Seventh and Classic Electric Piano users

► Contact us at support@uvi.net


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3 Responses

  1. Steve says:

    The pianos sound great, but the deal breaker is that this company decided for us that converting down to 16 bits was a good idea before we’ve gotten the chance to add either our own effects or their built in effects. Why on earth would a company downgrade their audio quality for the final product? Not at all smart.

    • Elisabeth | UVI says:

      Hello Steve,

      Thank you for your feedback.

      As you must have known, at UVI, we have always been committing to “sound quality”, which is our main concern when designing a product.

      We actually have run a lot of blind tests to measure the difference between 16/44.1 instruments and 24/96kHz ones. The conclusion is that for most of the “electric” sounds (e.g. electric pianos), if all is recorded and edited in 24/96kHz, then normalized and converted into 16/44.1 with properly algorithms, you can’t really hear the difference between the two versions. That’s why we’ve decided to put our sounds in 16/44.1. What’s more, it takes less CPU and less RAM, and brings more efficiency.

      For “acoustic” sounds, like orchestra and solo instruments, we surely will offer both versions.

  2. joseph agyeman says:


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